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Writer's picture: Libby CierzniakLibby Cierzniak

Updated: Jan 16, 2020

170 years ago today - on January 15, 1850 - the Indiana General Assembly approved the charter for a new school that would become the second university in the nation to accept women on an equal basis with men.


The charter was drafted by Ovid Butler, a retired lawyer and fervent abolitionist who envisioned an institution of higher learning committed to racial and gender equality and free from the "pernicious influence of slavery." In 1877, Northwestern Christian University was renamed Butler University in honor of its founder.



North Western Christian University opened in 1855 on a 25-acre site donated by Butler at College and Home Avenue (now 13th Street). Home Avenue got its name from Forest Home, the "country" estate that Butler built in 1840 at the corner of Park and 13th.


There, Butler and a group of like-minded men gathered in the parlor to take Butler's radical ideas for the fledgling university from pen and paper to bricks and mortar.


Forest Home still stands in the Old Northside Historic District. In 2007, a historic marker was placed on the grounds to acknowledge Ovid Butler's accomplishments.


Sadly, the original building for the college that bore his name is long gone. After North Western Christian University relocated to a larger space in Irvington in the 1870s, the building was used as an orphanage and later a medical school before it was demolished in 1910 to make way for housing.


Other vestiges of Butler University's earliest days can still be found in the Old Northside, however, including a magnificent home built in the 1870s by the widower of Demia Butler, Ovid Butler's daughter and the first female to graduate from the university's full four-year classical studies program. After Demia Butler died in 1867 at the age of 25, her father endowed a chair of English literature at the college her name.

A fine Italianate built by Samuel Merrill, Jr. on land that he co-owned with his sister, Catharine Merrill also has a Butler connection. Catharine Merrill was a distinguished scholar who was only the second woman in the U.S. to be appointed as a college faculty professor. She held the Demia Butler Chair. Both homes had fallen into disrepair by the 1970s but have been beautifully restored.



Of course, the most prominent reminder of Butler University's first home is also the most obvious - College Avenue.





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Writer's picture: Libby CierzniakLibby Cierzniak

There are two kinds of people who buy old houses, according to The New York Times: old house people, who know what to expect, and regular house people, who don’t.  But I would argue that there is a third kind of purchaser: the temporarily crazed but otherwise rational person who walks into an old house and suddenly decides to buy it because of a feeling, a sense — or in my case, the ghost of a dog that had been dead for more than a century.


In 2002, my husband and I were on our way to make an offer on a solid brick foursquare in Meridian-Kessler when we decided to check out a previously overlooked listing in the Old Northside.  I walked into the house, saw an old photograph of a dog, and told my profoundly skeptical husband that the photo was a “sign” we should buy this house instead.


We made an offer 20 minutes later and have lived there ever since.


My descent into temporary madness actually started a few months earlier, on a snowy Saturday afternoon when we stopped by Animal Care & Control and fell in love with a scrappy little rat terrier. Her kennel name was Mitzi but we called her Scout.


The faded photo that caught my eye showed two little girls standing in front of our soon-to-be home with a scampering rat terrier that looked exactly like our Scout. In my view, the photograph was irrefutable evidence that we belonged in this house.


Of course, the photo is not the only reason we bought the house.  I may be irrational but I’m not insane. This was the perfect house.  It had all the standard features you expect to find in a 100-year-old home — hardwood floors, beautiful woodwork, and a front porch swing — but then it also had some bonus features that you generally see only in the higher-end models, such as dual sunrooms, original light fixtures, and a mysterious hallway in the basement that led to a nailed-shut door.


But still, the decisive factor was the photograph.


My conviction that we were meant to live here deepened a few weeks later, when I was working alone one evening in the now-empty house. I took a break from painting the parlor to peruse the stack of papers left behind by the previous owners.  Right on top was another old photograph, one that I had not seen before.


It showed a group of children lined up across the street from our house for a parade.  When I looked closer, I could clearly see that the young boy in the second cart was holding a little rat terrier that looked exactly like our Scout. Only this photo was at least 15 years older than the other picture, so it could not have been the same dog.


And yet it looked exactly the same.

After we moved in, we started joking about the “ghost dog.” But at some point I began to wonder if there actually was a phantom rat terrier running down the hallways.  On more than one occasion, I would hear the sounds of a dog skittering down the front staircase to greet me when I came home from work.  But when I opened the door, I would find Scout fast asleep in her bed.


There was also something strange about the back stairway.  Scout adamantly refused to walk up the back stairs at night with me and my husband.  Instead, she would take a circuitous route through the kitchen, around the dining room, across the parlor, and then up the front stairway before retiring with us for the evening.  It was if she was trying to avoid something — or someone — on the back staircase that only she could see.


And then there were the times that we would wake up in the middle of the night to find Scout sitting up in bed, staring intently into the darkness.


Albert Metzger, his children, and their rat terrier, Dickie. Photo courtesy of Rick Patton.

We had been in the house for a about a year when we found out that the rat terriers in the photographs actually belonged to the Metzger family who lived across the street. But the probable absence of a ghost dog did little to quash my growing conviction that our impulsive purchase was the right move.  Because by then, I had found even more compelling evidence that we were destined to live in this house.



In addition to the photographs, the previous owners had left behind an old abstract of title that started with a land grant in 1821 and ended with a mysterious death in 1943.

The first owner of the property was Robert Culbertson, who received a land grant from President James Monroe for 80 acres in the area now known as the Old Northside.  Culbertson helped build the ill-fated Governor’s House on the Circle but left town unexpectedly in the mid-1820s after an embarrassing incident involving his wig.


The land cycled through a series of owners until Christmas Day 1846, when Ovid Butler bought the heavily wooded property to build his country estate, Forest Home.  Some 20 years later, Butler platted part of the property and sold several lots to the adult children of his old friend, Samuel Merrill. Merrill’s son kept one lot and built a magnificent Italianate home.  Both Forest Home and the Merrill house still stand today.


Until I saw the abstract of title, I had no idea that our land was once owned by Ovid Butler and Catharine Merrill. In 1824, Merrill rode in a wagon with her father when he moved the state capitol from Corydon to Indianapolis. She would later go on to serve as one of the first female college professors in the country at North Western Christian University, which would subsequently be renamed after its founder, Ovid Butler.


As a Butler University graduate and Statehouse history buff, I was awestruck by the unexpected connection.



The abstract showed that our lot remained vacant until 1894, when a drug salesman named George Smith and his much younger wife Hattie built a modest Victorian house. George Smith died in 1918.  Hattie converted the house into a double and sold it to Jesse MacDaniel, who lived across the street.  A few months later, MacDaniel went to prison for running an illegal baseball lottery.


MacDaniel’s daughter Ruth Maher eventually inherited our house and used it as rental property. In November 1943, The Indianapolis Star reported a man named Clarence Throckmorton caused an auto accident but attempted to evade arrest by claiming that he was Ruth Maher’s husband. He told police that he was rushing to Ruth’s bedside at Coleman Hospital, where she lay gravely ill.


Ruth died a few days later and Throckmorton attempted to claim her estate, which was worth more than half a million in today’s dollars.  As noted in the abstract, however, Throckmorton’s claim was rejected because he was married to another woman at the time.



After Ruth’s death, the house was purchased by two sisters and their husbands.  One couple lived downstairs, the other lived upstairs.  In their later years, the sisters refused to speak directly to one another, choosing instead to convey all messages via neighbors and other third parties.  I found their brother’s 1912 grammar school graduation diploma in the basement.


A young couple bought the house in the early 1980s and restored it to a single family home.  They were active in the Old Northside Neighborhood Association and left behind a box stuffed with old newsletters, real estate listings, and other ephemera that paint a vivid picture of life in downtown Indy in the early days of urban renewal.



Some people head straight to the dumpster when they find a box of old stuff left behind by a previous owner. Others will refuse to buy a “used” house in the first place.  I am glad I am not one of those people.


But for the abstract of title and old Northside ephemera left behind by previous owners,  I would not have become so passionate about Indianapolis history. But for the old photo of a rat terrier left behind by previous owners, I would likely be living north of 38th Street, a place where I seldom venture today. And but for a visit to Animal Care & Control in 2002, I might have a cat instead of a scrappy little rat terrier who still fills me with joy every time I see her.


We’ve been in our house for 13 years now, and my husband is starting to talk about the inevitable downsizing. Our little Scout is 15, and failing.  It will be sad and strange to live in this house without her. But I am not ready to leave this place yet.


Maybe after a few more summers on the front porch,  I will finally be ready to hand over the keys of this house to someone who I hope will love it as much as I have.  When that day finally comes, I will leave behind the treasures that were left to us, along with two photographs taken 100 years apart of a little rat terrier standing in front of the place we call home.

Our next-door-neighbors’ children posed in 2012 with Scout for an updated version of the dog photo.
 

This article was originally posted in HistoricIndianapolis.com on November 28, 2015. We lost our little Scout two weeks later. Since then, our four-legged family has grown to include two rescue dogs, Annie and Marcy, and two formerly stray cats, Boris and Natasha. None of them are afraid to use the back stairs.




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Writer's picture: Libby CierzniakLibby Cierzniak

When his second son was born in April 1913, Greek immigrant Pantelis L. Cafouros was hard-pressed to find a way to top the fireworks that had literally heralded the arrival of his first-born son in August 1911. As per the custom in his native Greece, a gleeful Cafouros had fired 21 “bombs” from the roof of his restaurant on West Maryland Street, thrilling thousands of Indianapolis residents who watched the 10-minute display of pyrotechnics.


Cafouros was just as delighted with the birth of his second son some 20 months later, declaring himself to be “the happiest man in Indianapolis.” But Greek tradition reserved the 21-gun salute for the first male child. So the proud father turned to something uniquely Hoosier as a way to commemorate the latest addition to the Cafouros household.


“Although I am not a rich man,” Cafouros told The Indianapolis Star, “I would be willing to give $500 to a fund” to illuminate the Soldiers’ and Sailors’ Monument at night. “It seems that something is lacking about the beautiful structure.”


A postcard from the early 1900s shows Victory shrouded in darkness.

Indeed, something was missing. In the 20 years since Victory had been hoisted to the top of the Monument, only daytime visitors had seen her face. Four candelabra stood at the base of the Monument, lighting the sculptures near the ground but casting the rest in murky shadows. By night, the top half of the Monument was veiled in darkness.


Cafouros took his idea to the Monument’s Board of Control, which expressed initial enthusiasm for the proposed project. When his plans were still pending a month later, however, the board strung temporary lights around the base to illuminate the Monument during an encampment of the Grand Army of the Republic.


The lights were removed at the end of the meeting, and the Monument remained dark for the next three years.

Cafouros’ proposed tribute to his second son never came to fruition.



As the state’s Centennial approached in 1916, two rival electric utilities saw the obvious marketing potential of a fully-lighted Monument serving as the centerpiece for the massive July 4th celebration. The Indianapolis Light & Heat Company announced in June that it would position floodlights on the roof of its Monument Circle building to bathe the Monument in light. When delays appeared to jeopardize the Indianapolis company’s grand scheme, the Merchants Heat & Light Company quickly stepped in and announced on July 3 that it would illuminate the Monument with 25 floodlights placed atop the Hotel English, the Fletcher Savings & Trust building, and the Waverly. And if the view of Victory shining down from a night sky was not enough to entice the crowds, Merchants would also throw in a free concert from the Indianapolis Police Department band.


The competing power companies ran ads in The Indianapolis Star and The Indianapolis News on July 4, 1916 touting their respective roles in lighting the Monument.

Not to be deterred by its rival’s announcement, the Indianapolis company scrambled to complete its own preparations. At 7:30 p.m. on July 4, 1916, Indianapolis Light & Heat Company threw the switch on its battery of lights, and the Merchants Heat & Light Company followed suit a half hour later. According to The Indianapolis Star, “[a]s the latter company’s lights were projected upon the Monument the band broke into a medley of patriotic airs. Necks craned, and there were audible expressions of wonderment and admiration everywhere in the throng.” The crowd dispersed after the concert, but a steady stream of automobiles poured in from both the north and south, as motorists from miles away were drawn by the site of the luminous Monument towering in night sky.


The Centennial illumination of the Soldiers’ and Sailors’ Monument was hailed as a feat of electrical engineering. Indianapolis was the first city in the United States to light a monument of such great size. Engineers from New York City traveled to Indianapolis in hopes of using the same techniques to illuminate the Statue of Liberty.


The Indianapolis Star, July 5, 1916

The idea of lighting the Monument actually originated with its designer, Bruno Schmitz, who envisioned a ring of bronze lamps lining the outer rim of the Circle. This plan was vetoed by the Monument’s commissioners, however, who believed that the lamps would not cast sufficient light. Instead, Schmitz was asked to install four candelabra at the base of the Monument.


Sadly, Schmitz would not live long enough to see the Monument illuminated. He died in Germany two months before the Centennial celebration.


In 1924, Carl Lieber proposed an upgrade to the Monument’s lighting, arguing that the candelabra were not part of Schmitz’s original design. A campaign to raise $20,000 for new lighting was launched, and four years later, floodlights were finally installed in the base of the candelabra. The Soldiers’ and Sailors’ Monument has been illuminated year-round since 1928, and decorated for Christmas since 1962.


The World's Largest Christmas Tree could have been the World's Fattest Christmas Shrub if the design by Chicago architect Frederick Baumann had been selected.

Last night, thousands of people thronged the downtown area last night to see the lighting of the World’s Largest Christmas Tree. The annual event has become a cherished family tradition, with parents who delighted in the Circle of Lights as a child now sharing the experience with their own children.


When I first moved to Indianapolis, I was somewhat bemused by all of the fuss over the so-called “World’s Largest Christmas Tree.” Not to state the obvious, but a limestone statue is not a tree of any sort, Christmas or otherwise. Further, the tradition of stringing colored lights on a monument honoring fallen soldiers and sailors seemed a little strange, if not inappropriate. But over time, I have come to appreciate the Circle of Lights as a fitting tribute to the Hoosiers who sacrificed to preserve our way of life.

In his message to a special session of the legislature in November 1865, Gov. Oliver P. Morton said, “Let us honor the dead, cherish the living, and preserve in immortal memory the deeds and virtues of all, as an inspiration for countless generations to come.” For the next 22 years, legislators would argue about everything from the location of the proposed monument to its cost, and even debate whether a home for Civil War widows and their children should be built in lieu of a monument. But from day one, there was strong consensus that any tribute to Indiana’s Civil War soldiers should both honor the dead and celebrate the living.


In the 117 years since its dedication, the Soldiers’ and Sailors’ Monument has been the site of thousands of celebrations and has become the icon for the city of Indianapolis. Millions of tourists have snapped its photograph, while its familiar image has graced everything from postcards to seed sacks to salt and pepper shakers.


A few years ago, I was surprised to read in the Indianapolis Business Journal that a focus group comprised of residents and convention planners from other Midwest cities had a mixed reaction when shown photos of the Monument.  According to the IBJ,  the focus groups disliked a photo of the Monument shot on a sunny afternoon, but responded much more enthusiastically to the view envisioned more than 100 years ago by Pantelis Cafouros  – the illuminated Monument standing tall and gleaming against the night sky.



A version of this article was originally posted on HistoricIndianapolis.com on November 24, 2012.

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